Please don't mistake this for the very bro-ish 'his production value is like, sick, dude,' interpretations of West that you'll often hear from a good chunk of his most vocal aggrandizers. This became especially clear when, in sunny Los Angeles, snow fell on the Hollywood Bowl stage to highlight the desolate sense of West's loss. Noted as " Mother Procession" in a setlist posted to Instagram by a fan, the moment seems referential to West's mother, Donda West, who died from heart disease in 2007 after suffering " multiple post-operative factors" from plastic surgery. In a particularly moving moment that served as the emotional turning point of the show, West sat on the stage's stairs, heartbreakingly moaning along to "Coldest Winter" while a group of women in white gathered around a still black woman lying down on a table-like structure at the front of the stage. Music label to go in a new creative direction - his inclusion in so much of the performance revealed how deeply the collaborators cared about the original music and its portrayal both on and off stage. Given the somewhat rocky nature of the two artist's relationship in recent years - in 2013, Cudi parted ways from West's G.O.O.D. WATCH: Kanye West Admits He's High and Announces Candidacy for President During VMA Vanguard Acceptance Speechīut the most prominent feature of the night was Kid Cudi, who lends his voice to several songs on 808s and was a key creative figure in the making of the album. If you aren’t one of Kim Kardashian’s millions of Instagram followers, you probably wouldn’t have even realized that you saw Zoe on stage until Kanye’s wife made that reveal on social media. Hudson, delivered his hook for "Paranoid," and actress Zoe Kravitz stood at the back of the Bowl, perched like an onlooking statuesque figure. Young Jeezy delivered a verse for "Amazing," British artist, Mr. These cameos were delivered with purpose. West featured guest performers during the night, but not with the playful, reckless abandon that Taylor Swift showed throughout her 1989 World Tour. You also didn't have to have an intimate knowledge of 808s to feel deeply involved and taken in by the movement of the show. Instead, it was closer to what we'd expect from West's most recent project, Yeezus, yet the tone didn't feel out of place. The word we kept using throughout the show was deliberate.Īesthetically, the performance was nothing like the original 808s and Heartbreak creative direction (Think: teddy bear in a gray suit with a paper mache heart lapel).
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